Fiction Writing and The Hemingway Effect

What is the Hemingway effect? Have you been affected by it?

Ernest Hemingway was a man’s man who loved the women.  He loved a lot of other things, too.  He loved bullfighting.  He loved fishing.  He loved hunting.  He loved drinking.  He loved danger.  But I would say that most of all he loved writing.  All of the other things he loved came and went but the writing stayed until the very end.  His biographers claim that it was because he couldn’t write any longer that he killed himself.  I believe it.

In every literary circle that I know of, Ernest Hemingway is considered a great writer.  Why?

I’m a bit of a minor Ernest Hemingway expert, if reading over and over all of his fiction, all of his news paper work,  every biography about him and every review and critique of his work that I could get my hands on gives me any kind of credibility.

Plus, I spent years trying to use the Hemingway technique in my own fiction with different degrees of success.

Hemingway changed the written language.  Before him, writers tried to out do each other with metaphors and convoluted language.  After him, writers used particular concrete language.

Before him, writers used exposition to tell the reader what was going on.

After him, writers realized that action was character.

Hemingway taught writers that words were precision instruments and that the words left out were just as important as the words let in and that if the right words were left in they would imply the words left out.

You will find some of Hemingway’s literary children here: Pittsburgh Flash Fiction Gazette

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