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How to Write a Haiku

Haikus are fragile little verses that carry immense poetic weight and provide a formidable creative workout for the poet.

The simplest way to describe a haiku is that it is a poetic form that has three lines. The first and third lines contain five syllables each, the second line has seven syllables. But there’s more to writing -and reading haikus than this.

Haikus are Japanese in origin. This poetic form was born from the renga, a poem that was built collaboratively among a community of writers. The hokku (where we get the haiku) is the first part of the poem, setting the tone for the other writers. It was in the 1600s when haikus began to be written as independent, separate verses.

Writing a haiku goes beyond counting syllables. Consider this haiku (translated from the Japanese) by Matsuo Basho:

At the ancient pond 

a frog plunges into 

the sound of water.

Note that the translation has somewhat altered the syllable count. More than this, consider the words. Note the scarcity of adjectives (only one: ancient). Note the precision and tangible nouns and verbs: pond, frog, water, plunge. (More about how to read poetry in this article).

Notice how your mind’s eye has taken you to that old pond, to see and hear that brief second when a frog jumped in. This is the magic of the haiku: to magnify and draw out the potential power of those moments that seem to flit past us.

Now it’s your turn. It may seem daunting initially but it can prove to be quite fun once you get the hang of it.

Start with focusing on something simple. Consider where you are sitting right now. What is immediately in front of you? A plant? A cup of coffee? Are you looking out the window? If so, what do you see? Pay attention to what you see, hear, smell. Do not try to interpret what you see into complex thoughts like love, hate or death.

Just sit still and observe. Write down what enters your senses. After writing your first draft, take a breather. Then go back to revise it. The 5-7-5 syllable meter isn’t etched in stone but it helps you take a good look at your word choice.

Here are a couple I’ve written, one at a park after the rain and another while riding a tram.

Spring

The lotus reflects
Upon her broad, rough leaf
Where rain drops dance.

 

Overhearing A Foreign Tongue

Assembly of tones
Tumble down my ears and break
Into sparrow songs.

Writing haikus are a great way to open up your artistic senses. No little bit of conversation, no tiny movement escapes the possibility of becoming a metaphor. These postcard-sized verses pack in huge metaphors about the human condition, mother nature, life as we know it.

Writing haikus also compel writers to see the strength of the individual word, to perfect their artwork the way a painter considers each brush stroke.

There are other ways to call up a poem, such as from paintings or news articles or by focusing on one word. However you create your poem, be it a haiku or a longer verse, remember that it is through “showing” rather than “telling” that makes a poetic expression compelling and worth reading.

Make haikus a regular part of your writing exercises. Here are other ideas you can put into your journal.

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6 Responses to “How to Write a Haiku”
  • papaleng
    July 29th, 2009 at 10:18 am

    thanks for sharing this very informative post!

  • brett brady
    July 30th, 2009 at 4:38 am

    you don’t really “get it”!… but keep studying/seeing, eventually you will awaken -

  • Joshua Dodson
    July 30th, 2009 at 9:41 am

    I enjoyed reading this piece! I find that writing a haiku is something that I can always do, even when no other poem seems to work for me. Have you tried the American variation–the Lune? There is a post about the lune at Writers Community:
    http://www.writerscommunity.net/poetry/write-a-lune-an-american-haiku

  • t simon
    July 31st, 2009 at 1:30 am

    thanks for your comments.
    @Joshua: thanks for sharing the lune. will try my hand on this soon.

  • Carlos Gesmundo
    August 18th, 2009 at 9:00 pm

    I’d like to share the following:

    Traditional Japanese haiku carry an unrhymed, three line, 5-7-5 syllabic (beat) structure with a seasonal reference. Over the years, English Language haiku authors have transplanted the traditional Japanese structure into their own language with varying degrees of success. The 5-7-5 structure continues to define haiku for many people, and, despite it falling out of use in modern times, it is still taught to students everywhere.

    Modern haiku artists take a more organic approach to haiku, one that is perhaps closer in spirit to the Japanese tradition. Contemporary English Language haiku artists have largely abandoned the 5-7-5 structure, viewing it as archaic, and tend to gravitate toward shorter syllabic counts more representative of their Japanese counterparts. Additionally, in light of many people living in urban centers, the requirement for a seasonal or nature reference has been loosened. At DailyHaiku we strive to represent a wide range of contemporary haiku and have a bunch of zen-like fun doing it.

    For further information about the structure of modern and traditional haiku (and related forms), a concise and extremely useful set of definitions has been put forward by the Haiku Society of America.

    (Source: http://www.dailyhaiku.org/info)

  • J.L. Eck
    August 21st, 2009 at 3:22 am

    I will have to try the haiku!

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