The four elements of poetry: imagination, emotion, significant meaning, and appropriate language; and the three divisions: The Poem, The Free Form, and The Free Verse. Here we discuss some definitions, the poetical process, and abstract art.
Poetry is a broad subject, to say the least. There are three major divisions: The Poem, a strict form with particular meter and rhyme scheme and whose content and form complement each other; The Free Form, a looser form closely related to the poem, with irregular meter and shyer rhyme and content; and The Free Verse, a style of writing marked by a lack of structure or meter, but whose highly subjective material and theme relies more on intentional or sub-linear rhythm.
To be classed as ‘poetry’ something must be ‘poetical’ in nature and intent. The truest art is not a spontaneous outburst, it is an intentional expression meant to draw a particular effect.
Definition of Poetry according to Coles Dictionary of Literary Terms: A composition that evokes emotion and imagination by the use of vivid, intense language, usually arranged in a pattern of words or lines with a regularly repeated accent or stress. P/ In content, poetry expresses thoughts that are significant and sincere. It is marked by the presence of power, beauty, and dignity. Because of these qualities, poetry is distinguished from doggerel and from light or occasional verse.
Definition of Poetical according to Merriam Webster’s Collegiate Dictionary: Being beyond or above the truth of history or nature; idealized.
In other words, there is a difference between writing a poem and carving a sculpture, but there is just as much a likelihood that the sculpture could turn out to be poetical when the poem could not. Therefore, even though many things are not poems or free verses they may still be considered poetical. On the flip side, many poems and free verses cannot be considered poetical. Many novels of the 19th and 20th centuries can be considered poetry. Some of the sculptures of Michelangelo Buonarroti and the artworks of Leonardo da Vinci can be considered to be very poetical. Let’s summarize this formulation so that we can understand how some things earn poetry status and others do not.
There are four crucial fundamentals. Imagination, emotion, significant meaning, and appropriate language are the pillars that uphold the poetical ideal. To earn the label ‘poetry’, any piece of art must have a solid donation from each of these columns. If any one of these is lacking or missing, the entire setup will fall flat, and the art has no hope of crossing the boundary from art to poetry. If more than one is missing, then the artist must go back to square one and begin reworking the original idea and come up with a way to make sure that all of these elements are present.
It is a literary fallacy to assume that all written works are poetical, therefore must be poetry. For the exact same reason that this article cannot be considered a novella, a free form cannot automatically be labeled as poetry.
What can an artist do to ensure that their work is seen as poetic in nature and intent? It is clear when we view these elements in the order mentioned that there is a process to be followed. It is not so obvious however—nor should it be—how such material becomes poetically aware. That is the job of the artist in question.
So, clearly, if even one of these elements is lacking, the entire structure of the expression loses its integrity.
Many artists are blind without these tools. Modern day expressionists maintain that emotional value is all that is necessary. However, in light of the elements of poetic expression, slinging the emotional paintbrush in random directions does not create optimal flow or significance. Such is an abstract way to present oneself, and, if the artist in question does not understand how to present significance or in an appropriately understood or direct manner, even the abstraction becomes invalid, and, even if the piece has meaning to its creator, there is little that it does for anyone else.
To produce material that is successful, the abstract artist may focus on presenting a specific emotion. But, he or she does so in an imaginative way that is significant and with an artistic language that is clear and understood by most if not all.
Each of the three divisions of poetry have been successful in crossing that boundary from art to poetical art. In the following articles, each division, The Free Verse, The Free Form, and The Poem, will be presented in as straightforward and clear a manner as possible. Understand however, that each of these divisions are real and have been delineated for your literal use. I hope you enjoy them as much as I enjoyed writing them.
World of Poetry 2: The Free Verse
World of Poetry 3: The Free Form
April 1st, 2009 at 1:14 am
great article, I’ve learned a lot this day. Thanks for sharing.
April 1st, 2009 at 1:54 am
Well-written and informative.
Inna
April 1st, 2009 at 1:56 am
thanks for sharing this info..
April 1st, 2009 at 2:02 am
Thank-you for the great info, Adam. You are imparting stuff I never even dreamed of. It’s great having it.
Thanks man
j
April 1st, 2009 at 3:39 am
Very useful Adam thanks.
April 1st, 2009 at 11:30 am
This could not come at a better time. I never took a class in poetry or creative writing. These articles should help me immensely.
Thank you so much for writing them.
April 5th, 2009 at 2:54 am
hi LH, you did an outstanding job of writing this.
April 5th, 2009 at 3:35 am
oppss… sorry for the wrong name… i mean, Adam!
April 13th, 2009 at 12:32 am
Thanks again. I learn a lot from this.
April 19th, 2009 at 9:24 am
I did enjoy reading it and think many people could benefit from reading your article.
April 19th, 2009 at 9:34 am
Your title is almost similar with my article!
April 19th, 2009 at 9:40 am
Why your title is not World of Triond: …?
April 19th, 2009 at 10:42 am
To SZM>>>> because it’s not about Triond.
May 10th, 2009 at 3:32 pm
Lesson 1 received.
“To produce material that is successful, the abstract artist may focus on presenting a specific emotion. But, he or she does so in an imaginative way that is significant and with an artistic language that is clear and understood by most if not all”
Not sure what your definition of ’succesful’ is. I do see the point of making making the message understandable except that in some cases it is so personally motivated by a particular situation that only those involved will recognize some of the imagery, which is somewhat intentional. In those cases, at least in my poems, you may get a hint of the correct emotions involved but even that may be illusive.